Wednesday, December 7, 2011

THE ITINERANT BEDBUG

Brain activity of bedbug visible thru grenade's gills.
Concise machinations not lost in shock ripples' expansion
against skin's grain. Less hard-boiled potato singularity accepts
wetsuit fashion from the future. Angry Birds eyewear a necessary symptom.
Albeit saturated w/ tiny channels. Stroking along grain unsatisfying;
to itinerant bedbug, sensorily equatable to roadside zooplankton.
Unseen trench coat leaking advertisements of itself.
Visually cauterizing boner Obi-Wan flashes into webcam.
Killer dynamo edit. Robotics' uncanny trauma. Prefers threesome logic.

Tuesday, December 6, 2011

METAMORPHOSIS – ANOTHER MUTATION

use the
ghetto hangover cure;
starve a tissue box

feed a system of
colors

itch sizes
of mammoth
the morning after:

cryogenically paisley,
7-eleven's tweed scalped

forget fear, sport
a crotchful of
Star Wars merch

it wheelchair hunts bears
that crunch underneath
like glass

grief's television
open to interpretation –

static of room temperature used needles 
 
brain-dripping antler shrapnel you
go talking your
head into

purchasing that
haute-kettle telephone

that Armani
waste paper basket
the maid's broken ankle
sticks out of

seduced out of it
in mothball metamorphosis

Monday, December 5, 2011

NECROPHILIA

Weird-dream crusts ironed out.
They make make-believe roast
under local anesthetics.

She also felt the cold entanglement
while watching Tron–
her own special mind trick
[which] consists of fingers.
The aesthetics of such a cadaver walks
the fine line between Elizabeth Taylor
and a cordless icebox.

I shit myself
a delicacy –
[from] an inborn seedless
spray can.

Necrophilia contains
Ewok hygiene's
possibility [of] nut beer.
Despair inspired by a metronome.

It has moved; I shouldn't eat anything.
The sound now
a mere shell of the former doorbell/
a false prophet's t-shirt.

On the slab spatially elastic,
mining the soul's gazebo.
Absinthe reindeer aura –
666 mise-en-scène.

Like the embarrassing cliché
[of] the passive-aggressive shoplifter.

Saturday, December 3, 2011

NO ORDINARY GUTS

Making pancakes – and pancake masks
in particular – a safety tip for if you're going
to be using a crowbar:

Do not swing through the two points on the pancake
at the estimated areas behind the pancake
of your pancake-making buddy's eyes.

But would it be such a great loss –
if their eyes broke into shards?

Porcelain eyes shine through pancake,
they are hard to miss, but with porcelain eyes,
nothing can be told apart
from anything – neither you from others, i.e. in
public, when for some reason you crave
to be told apart from other things,
badly. Porcelain eyes are useless except for
being beautiful.

Also in this crowbar-related accident your friend
might die.

And then come back to life.
Who cares.

But it's gross.

Resurrection after a week or month is gross –
if you've been waiting this long

for the traffic light to change, at the traffic light,
not in your car,
but in a hospital bed you've

accidentally weaponized – with your stink,
your corpse gas, your green volcanic
pustules.

Discharging a load of phlegm
is like scraping your esophagus
across a dump truck.

A group of gambling
hobos staring with their
eye sockets: with their mummy anuses.

Shuffling their cards
sounds like very fine, dusty diarrhea...

Moving slowly past shop windows large
windows actually large
televisions; hobbling past
the advertisements:

a transparent embryo advertised
for smuggling stuff in
startles its pale, sickly, greedy
one-person target audience.

'I am smuggling something I've forgotten what
it is
is it
important?'

'I'm feeling a bit better knowing I've cleverly
bullshitted myself into believing I'm
feeling a bit better!'

At the nearest restaurant on the menu:

a pill

with a hole
in it.

'Our washing machine make
tiny pill from fistful of bones.'

At the waiter's words it is very
easy to crumble into yourself, like
wanting to cry when receiving
sympathy. It means even your clothes
have gone mad. 

In laundry that has been institutionalized –
in mad laundry –
viscera play with themselves,

and now I know they are no ordinary viscera
they are an octopus cosmonaut,

way more mad than
the homely guts of e.g. Bigfoot.

THE MATADOR VS. DONALD TRUMP

The Freudian, medium-rare steak is a musical
whose crescendos flies are chemically drawn to
orbit in a black mass. And a corrupt cop made of rubber invariably
sits somewhere in the audience, clapping.
The dull slapping sounds his claps make.

Back to his coffin after the show, inside,
the weird behavior of his elbow, jiggling,
as if trying to find more room,
an ancient newspaper resting on his chest – its
weird humming sound. The newspaper's.

The corrupt rubber cop is weird.
His victims have also told him so,
with an awkward laugh. Their awkward
laugh-patterns. Due, perhaps, to having inhaled
an illegal gas, which the evil cop made them inhale.
The corrupt cop who is made of rubber hates being laughed at.

*
* *
We go from one dimension to another by blinking.
The dimensions are captured in triangles in the blinks,
the same triangles that form in tissues when we drop
them into a blender. In one of these dimensions,
Saatchi deemed ping pong a high art form,
praised Ice-T's echolocation abilities.
The way it deforms space. Others ascribe
this feat to the telekinetic prowess of his vomiting.
In one of these dimensions, Saatchi says the tampon gloved boxer
has revolutionized art. Others say a vaporizer
is an instrument of nihilism. In our multi-dimensional universe,
this is code for: all enemies agree with each other.

*
* *
Convoluted defensive movements
aren't what you might expect from
a badass matador – but look at what's heading
for him. Just look at what's zooming in his general direction.
It might also explain why the matador is wearing
a bio-hazard suit, an old fashion accessory
from his days working for a German scientist in his laboratory:

Coming for him at speed is Donald Trump sporting some
horrible strap-on device, ball-shaped and glistening,
also wielding a pair of horrible tongs. Festering
in the corners of his small, lopsided mouth.

The matador hadn't been this afraid
since he was a German scientist's
lab assistant and had to fend off
a giant insect.

Friday, December 2, 2011

SKATE OR DIE

There were candles. It was very romantic.
And the skateboard float on which you married a crocodile.
In hindsight it was more like car sicking
in your Lacostes, lurching toward your very own personal gravity
armored with a chicken's ribcage.
Wash your baloney. Skate or die.
Martial arts debris on your morning stroll, the
universal constant around which it buzzes.
Cinema Nouveau? More like cinema dead kittens in a can.
A new transmission: technicolor dragon illusion buggers a mall.
Feeling left out. Hobo medical all over your crotch.
Lady Gaga's cancelled herbal remedy.

Thursday, December 1, 2011

THE THING YOU HAVE TO UNDERSTAND WHEN WALKING THROUGH THIS NEIGHBORHOOD

Cereal ran out on the rocket ship – until the astronaut realized
that cereal was all around him. The rocket ship was actually a
cereal box. If you were to reach other worlds with it,
you had to understand that folding along dotted lines, and the
subsequent confluence of meanings, is a necessary life skill.
Together, they may construct a monster. A creepy cereal box replica
of Pedobear sporting the newest range of running clothes
was constructed by a priest one morning at the breakfast table.
I.e. a monster. The world your astronaut is traveling to doesn't necessarily exist.
It may be a mere algorithmic fiction. The answer to the question
everybody asks after extensive internet research: How does Google arrive
at those representations of a lawn chair? Confluence. Dotted lines.
How else would the common backyard garden's GREEN GANGLY data
look like that? Artichokes that look as though they've arrived by Zeppelin or in
the incremental fusion of railroads. Traveling through space is less productive
within a span of segments or increments. Barbie, stinky, amateur vigilante,
spat out by the Tardis; full of ink – a fatality resulting of pan-dimensional gesticulation with a ballpoint. Either that is fatal, or is just bad for you.
The Martian's stroller with which he shuffles through our neighborhood
had been sold in alluring packaging.

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